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Guided Visits
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OF
BMTA 2007 |
The borsa offers the possibility
of free visits to these cultural sites:
- Museo Archeologico Nazionale - Paestum
- Parco Archeologico di Paestum
- Museo Narrante del Santuario di Hera
Hargiva alla foce del Sele - Paestum
- Parco Archeologico di Velia
- Area Archeologica di Fratte - Salerno
- Museo Archeologico di Eboli
- Museo Archeologico di Pontecagnano
- Battistero Paleocristiano di Nocera Superiore
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The Tour
Operators, the realtors the journalists, the hosts, the schools
and the visitors, accompanied by guides coordinated from
the Archaeological Soprintendenza, Bn, Av, from Soprintendenza
BAPPSAE, who know the salernitano territory
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Guided Visits Program
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UNDER THE WING OF THE SOPRINTENDENZA
ARCHEOLOGICA DI SALERNO - AVELLINO - BENEVENTO
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Museo Archeologico
Nazionale - Paestum
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The Museum collects unparalleled
reports coming from the city and the territory of Poseidonia-Paestum:
prehistoric funerary equipment, recovered architectonic and
sculpture rests in the diggings. Of great interest is the futile
statue seated of Zeus from the 6 century. a.C., large feminine
bust, the lacking the head, from the end of the 6 century a.C.,
the amphora’s to hydria in bronze from the 6 century
a.C.. The painted slabs coming from some 120 tombs up to now
recovered, between one of the most famous is the painted tomb
of the Diver from 480 a.C.. Sculptures, marmoreal registrations,
cult objects, fragments and amphoras are the testimony of the
Roman Age in Paestum
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Museo Narrante del
Santuario di Hera Hargiva alla foce del Sele - Paestum
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The sanctuary of Hera Argiva
is found approximately 8 km from Paestum in proximity of the
foce of the Sele. The expositive structure proposes the various
keys of reading of the sanctuary, situated an archaeological
site that introduces little visible elements. It is however,
a mythical place from many points of view: the myth of its
foundation from part of Giasone: the cult of lasted Hera centuries
still today recognizable in the religious transposition in
the cult of the Madonna of Granato of Capaccio; the heroic
and exciting adventure of the first diggings until more recent
searches; the importance of the reports, the importance of
the metope archaic until the thousands of ri-found ceramics
and statuette votive. The storys unravelled through films,
three-dimensional reconstructions, sonorous video-installations,
effects and illustrated panels that accompany the visitor throughout
the whole visit. .
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Parco Archeologico
di Velia
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Velia, ancient Elea, was founded around540 a.C. by the Focei
colonies which came fromAsia to battle Ciro’s army.
Here Parmenide and Zenone were born and with the eleatica
school, reference in the philosophical culture of the antiquity.
In the modern remains the city system is obvious through
which Door is approached through the imposing "rose" only
example of Greek architecture with time all sixth. Pregevole
is the wall of the sacred fencing with the charming stoà or
porch, paved in bricks from the Hellenistic Ages..
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Poseidonia was founded Greek
colony to the end of the 7 sec. a.C. by the Sibariti. Conquered
to the end of the 5 sec. a.C. by theLucani, in 3 sec. a.C.
becameimposing temples are gilded, going back to the IV and
V sec. a.C.: the Basilica of Hera, the Temple of Neptune or
Poseidon and the Temple of Cerere. The Basilica is the most
ancient of the Paestum temples: it rises solemnly, with the
gilded columns of the arch, orienting to east. The most classic
and perfect example of a Doric temple of the Greek world is
surely Neptune’s temple. To the northern extremity of
the sacred zone the templeCerere rises, dedicated to Athena.
The diggings regard an immense area of the city with other
huge buildings like the thermes, the porch of the hole, the
amphitheatre.
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Area Archeologica di
Fratte - Salerno
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An important preroman centre,
with ruins dating back to the sec. a.C., in which Etruscans,
Greeks and Aborigines cohabited. The Archaeological zone was
defined "acropolis" for the topographical position
of the findings because the recovered structures left a glimpse
of a religious and civil centre at the peak of the takeover.
The imposing rests of the necropolis from the Samnite age from
the IV sec. a.C..
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Museo Archeologico
Provinciale - Salerno
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Rich documentation of the entire
province of Salerno, from the prehistoric to the middle ages.
In prime position is the equipment of the princess's tomb of
Roscigno, from the end of the V and beginning IV sec. a.C..
we see ceramic bells, Samnites are conserved moreover and lucane
of the Hellenistic age, Etruscan china, ornaments in bronze
including the admirable Head of Apollo recovered in waters
of the Salerno Gulf. Draft of a precious one originates them
late-Hellenistic, dated in the first half of the sec. a.C.,
attributed to the Pasiteles artist, born in Magna Greece..
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Santa Maria de Lama
e San Pietro a Corte - Salerno
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The first document in which Blade
gave back in 1055 is cited the church of Saint Maria de: "Ecclesia
sancte Marie ubi blade dicitur... constructa intus hanc salernitanam
civitatem", but probably has origin more ancient. Saint
Maria de Blade, placed in the heart of the historical centre
of the city, conserve the only testimonies of the Lombard period
in Salerno. On the inside, two columns are decorated with fresco
nearly at natural largeness: on one Christ with the cross is
represented, on the other is a feminine figure, perhaps Magdalene.
The church of San Pietro a Corte, known as the nail head tippet
founded from prince Arechi II, in around 787, is today the
complex of greater importance of the historical centre of Salerno.
Archaeological surveying currently in course, has brought to
light the Roman area. The area comprises, beyond the atmospheres
immediately below, once occupied by shops, also the area pertaining
to confraternity of S. Anna. In the XIII century the church
was used as a meeting centrefor the Parliament: in it public
ceremonies were often celebrated, between which the bestowal
of the diplomas of the Medical School Salernitan.
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Battistero Paleocristiano di Santa
Maria Maggiore
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Il Battistero, la cui forma circolare gli
ha conferito l’appellativo di “Rotonda”,
faceva parte di un più vasto complesso.
La prima attestazione scritta risale a un diploma dell’anno 841 d.C.
Impostata su 15 archivolti e sorretta da altrettante coppie di colonne lisce,
la cupola copre la vasca battesimale centrale, di forma ottagonale, seconda
in Italia solo a quella di San Giovanni in Laterano.Tutti gli elementi
marmorei della decorazione architettonica, le basi, i fusti di colonne, i
capitelli e le cornici modanate sono di spoglio e in evidente funzione di
reimpiego.
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Teatro ellenistico-romano
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Edificato nel II secolo a.C. e addossato
scenograficamente alla cinta muraria meridionale, fu ingrandito
da 76 a 96 m in epoca augustea o tiberiana.
È uno degli edifici scenici più grandi della Campania antica. Sia
l’orchestra sia la scaenae frons erano adornati da marmi preziosi e statue.
Subì ulteriori restauri dopo il terremoto del 62 d.C.
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Pinto palace, dwelling nobly
in the heart of the historical centre, accommodates the Provincial
Pinacoteca. Showing paintings that go from the Renaissance
to the first half of the 1900's. In the valuable Renaissance
section they are the tables of Andrea from Salerno and the
Master of the Incoronazione di Eboli. Of great interest the
sixth century burlaps of Giovanni Batiste Caracciolo, Andrea
De Lioni, Carl Rose. Of the 1700's they are the burlaps of
Francisco Solimena and his Academy. The many paintings of Salerno
and Costaioli painters from the second half of the 1900's.
A section is dedicated to the foreign artists, who realized
the exposed works here
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It receives ceramics in maximum
part from Vietri, but also coming from other sites of the Campania,
Puglia, Calabria, Liguria. The ancient exemplary other than
Vietri ceramics go back to the end of the sec. XV. This production
becomes part in a tradition of working of the clay that it
sees been involved Salerno since and its immediate districts
from the pre-Roman Ages. To XVII century they go back the ancient
exemplary of the votive tiles. It has a rich testimony of 1920’s
and 40’s, of the famous ‘German’period, with
pieces of North European authors realized in Vietri.
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VISUAL
TOUR
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Streaming